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WD_135/ 2005 - Satoshi Kinoshita
WD_135/ 2005  
( Satoshi Kinoshita )

Series: Works on paper: Drawings 2
Medium: oil pastel and wax crayon on paper
Size (inches): 25 x 19.9
Size (mm): 640 x 510
Catalog #: WD_0135
Description: Signed, date and copyright in pencil on the reverse.



John Lennon Interview, June 18, 1965 - Appearing on the British TV program, 'Tonight', speaking about his book, 'A Spaniard In The Works'.

Q: "Mr. Lennon, your first book is a bestseller and I shouldn't see any doubt this one's going to be, too. Do you think that you'd be published were you not a Beatle?"

JOHN: "I could probably get published but, you know, I wouldn't sell as many. I mean, they publish alot of rubbish anyway. But, uhh, I wouldn't sell."

Q: "Do you think you've got a built-in advantage in being a Beatle? I mean, are you glad about this, or would you rather have found a reputation as a writer in your own right?"

JOHN: "No, I mean, I never thought of it. If I hadn't been a Beatle I just wouldn't have thought of having the stuff published 'cuz I would've been crawling around, broke, and just writing it and throwing it away. I might've been a Beat poet."

Q: "How did it come about that you weren't a Beat poet and that your first book was published?"

JOHN: "Well, some American who shall remain nameless, who's called Michael Brown-- I showed him the stuff and he took it to the publisher, and they published it. That was it."

Q: "Did you ever think of publishing it under a pseudonym, not as John Lennon?"

JOHN: "I thought about it but what's the use, you know. Because he took it to the publisher first without telling them who he was just to see if they would've published it. That answers your first question as well."

Q: "It does indeed, yes. Living in the butterfly world of Pop as a Beatle, do you think that this undermines people's serious acceptance of you as a writer?"

JOHN: "Uhh, it does. But I didn't really expect them to take me seriously, so, you know-- there's nothing to say about that. They do take it more seriously than I thought, so that's good enough for me."

Q: "Indeed. I mean, the first book was reviewed in the posh 'Sundays,' and on the other side of the fence your music is recorded by people like Ella Fitzgerald-- Now this is serious recognition in both areas. Which do you find more satisfying?"

JOHN: "Well uhh... The book, really. It means more to other people that Ella Fitzgerald recorded one of our tunes than it does to us, because the tune is still something that Paul and I have written-- so we still have the same faith in it. It just gives other people more faith in the tunes."

Q: "This book is very similar to the first in being bits and pieces of poems, and bits of prose. Do you think you'd ever want anything longer? A novel, for example."

JOHN: "Well, I tried writing... The longest thing I've written is in this book. It's one about Sherlock Holmes, and it seemed like a novel to me but it turned out to be six pages. (smiles) But I don't think I could... I couldn't do it, you know. I get fed-up. And I wrote so many characters in it I forgot who they were."

Q: "This happens to other writers, too."

JOHN: (smiles) "Hmmm. Other writers! Good."

Q: "The Pop business is a young man's world. It seems to have an ever increasingly young audience. Do you think that perhaps writing a book like this, and writing at all, perhaps might be an unconscious attempt to win recognition in the adult world?"

JOHN: "No, because I started all this writing long before I was a Pop artist, or even a Beatle, or before I had a guitar. So it's nothing to do with that. The guitars came second."

Q: "And which comes first?"

JOHN: "Well, now the guitars come first-- 'cuz this is still a hobby, which it always has been."

Q: "You're going on doing it, are you?"

JOHN: "I'll go on doing it."

Q: "Have you written anything else? Is anythng else coming off of this?"

JOHN: "Well, uhh, I don't get much time. If I had more time I'd probably write more. The publisher rang-up and said, 'Have you written anything yet?' and I said, 'No, I've been writing songs,' because I can't do both at once. You know, I've got to concentrate on the book or the songs. So I haven't written anything since then."

Q: "We'll look for it nevertheless, John. Thank you very much indeed."

JOHN: (comically exaggerated voice) "THANK YOU!"

-www.geocities.com/~beatleboy1/dblen65.int.html/ Source: Video copy of the original television program.



"BEATLE JOHN LENNON TELLS WHY HE GAVE BACK HIS MBE."

John had returned his MBE medal which had been presented to him and his fellow Beatles by Queen Elizabeth II four years earlier. He did so in protest against Britain's support for federal Nigeria in the Civil war and Britain's support for the US in Vietnam.

John, wearing his hair in a ponytail, explained his action to the news cameras:- "...As a protest against violence and war, especially Britain's involvement in Biafra, which most of the British public are not aware of .....'cause all the press, TV and radio's  slant all the news from Biafra. All the stuff I learnt on Biafra from journalists off the cuff, folks, is a different story and I began to be ashamed of being British - and I'm a patriotic nationalist if the truth were out, and Yoko can vouch for that. I'm always fighting about what Britain invented - Radar and what, all the different things we've done. But every day I just began to worry a bit more about it and I was gonna send the MBE back anyway. I could have done it privately, but the press would have foundout anyway - you would have been here a week later instead..."

-BBC News, Recorded: 25/Nov/1969/ homepage.ntlworld.com/carousel/pob18.html



"THE NEW LOOK LENNON'S DISCUSS THEIR LATEST HAIRCUTS."

John and Yoko had their long hair shorn whilst staying with Yoko's ex-husband Tony Cox in Denmark to spend New Year with her daughter Kyoko. The Lennon's had to make a detour to France on their way home to London. Whilst there they were interviewed by a news team in a Paris Hotel.....

Newsman: "Mr Lennon, why did you decide to cut your hair?"

John: "Because I felt like it, you know."

Newsman: "So there was no special reason?"

John: "No, I mean why do you cut yours?"

Newsman: "I suppose as a leader of a sort...of a peace movement..do you have any special plans on the future?"

John: "I'm not a leader, and I try not to make plans, you know, we have no new plans."

Yoko: "We just like to come across with the message of peace and love."

John: "Peace, peace"

Newsman: "You're going back to London now I suppose?"

John: "Yes. We only came because the fog wouldn't let us in London. We were on our way to London. We just got held up. But we enjoyed it."

Newsman: "When are you going to London?"

John: "Now."

Newsman: "And what will you do when you get there?"

John: "Go home."

Newsman: "I understand the Beatles have just recorded a new record..."

John: "A new Single...Let it be, folks."

Newsman: "What it the record about?"

John: "About Letting it be."

Newsman: "Can you explain that?"

John: "You'll hear it."

Newsman: "You must listen to it?"

John: "Listen, Listen.....Je me leve a sept heures."

-French Television News, Recorded: 26/Jan/1970: Transmitted by: Various stations Colour 26/Jan/1970/ homepage.ntlworld.com/carousel/pob18.html


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Series Works on paper: Drawings 2
WD_100/ 2005WD_101/ 2005WD_102/ 2005WD_103/ 2005WD_104/ 2005WD_105/ 2005WD_106/ 2005WD_107/ 2005WD_108/ 2005WD_109/ 2005WD_110/ 2005WD_111/ 2005
WD_112/ 2005WD_113/ 2005WD_114/ 2005WD_115/ 2005WD_116/ 2005WD_117/ 2005WD_118/ 2005WD_119/ 2005WD_120/ 2005WD_121/ 2005WD_122/ 2005WD_123/ 2005
WD_124/ 2005WD_125/ 2005WD_126/ 2005WD_127/ 2005WD_128/ 2005WD_129/ 2005WD_130/ 2005WD_131/ 2005WD_132/ 2005WD_133/ 2005WD_134/ 2005WD_135/ 2005
WD_136/ 2005WD_137/ 2005WD_138/ 2005WD_139/ 2005WD_140/ 2005WD_141/ 2005WD_142/ 2005WD_143/ 2005WD_144/ 2005WD_145/ 2005WD_146/ 2005WD_147/ 2005
WD_148/ 2005WD_149/ 2005WD_150/ 2005WD_151/ 2005WD_152/ 2005WD_153/ 2005WD_154/ 2005WD_155/ 2005WD_156/ 2005WD_157/ 2005WD_158/ 2005WD_159/ 2005
WD_160/ 2005WD_161/ 2005WD_162/ 2005WD_163/ 2005WD_164/ 2005WD_165/ 2005WD_166/ 2005WD_167/ 2005WD_168/ 2005WD_169/ 2005WD_170/ 2005WD_171/ 2005
WD_172/ 2005WD_173/ 2005WD_174/ 2005WD_175/ 2005WD_176/ 2005WD_177/ 2005WD_178/ 2005WD_179/ 2005WD_180/ 2005WD_181/ 2005WD_182/ 2005WD_183/ 2005
WD_184/ 2005WD_185/ 2005WD_186/ 2005WD_187/ 2005WD_188/ 2005WD_189/ 2005WD_190/ 2005WD_191/ 2005WD_192/ 2005WD_193/ 2005WD_194/ 2005WD_195/ 2005
WD_196/ 2005WD_197/ 2005WD_198/ 2005WD_199 (A,B,C & D)/ 2005
Biography of 'Satoshi Kinoshita'
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