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WP_068 (RORSCHACH SERIES 3)/ 2004
(  Satoshi Kinoshita )
| Series: | Works on paper: Paintings | | Medium: | acrylic on paper | | Size (inches): | 11.5 x 8.2 | | Size (mm): | 297 x 210 | | Catalog #: | WP_068 | | Description: | Series of 15 (for non-color blindness)/ signed, date and copyright in pencil on the reverse/ the usual central vertical fold.
See Catalog #WD_059/ 2004 & PA_035/ PSYCHODIAGNOSTIK #0604/ 2004.
Recommended BGM for this Rorschach test:
1: Igor Stravinsky, "Suite de Pulcinella" (1922/1947).
2: Erik Satie, "Complete Solo Piano Works " (1884-1924).
3: Muddy Waters, "Down On Stovall's Plantation" (1941-1942).
*If you are not familiar with any of those music, here is the one for you. Play it loud.
4: Tom Waits, "Alice" (2002) or "Mule Variations" (1999).
Rorschach test:
It consisted of ten cards, each containing inkblots. Five were in colour and the remaining in black and white. The subject is shown each card and asked what they see and the response is recorded. They are then shown the cards a second time and are asked to explain any ambiguous responses and point out what part of the part of the inkblot prompted their reaction. The interview notes all social behaviour, e.g. do they feel challenged or intimidated.
The tests are evaluated using the following criteria:
1) Location: does the subject respond to the whole inkblot or specific parts of it?
2) Quality: does the subject respond to the colour, shade, or what they perceive as movement?
3) Content: does the subject perceive animals, humans, and animate or inanimate objects?
4) Conventionality: How do the responses compare statistically with average responses.
Psychologists and psychiatrists in Europe and elsewhere soon saw the inkblot test as a useful tool. Using it they could explore the fantasy life of their patient without direct questioning, thus reducing the time for psychoanalysis. Repeated testing could check a patient's progress and the development of children. It also has been used to assess the severity of clients' emotional problems.
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