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JAMES BALDWIN/ 2012
(  Satoshi Kinoshita )
| Series: | Prints on paper: Portraits 3 | | Medium: | Giclée on Japanese matte paper | | Size (inches): | 16.5 x 11.7 (paper size) | | Size (mm): | 420 x 297 (paper size) | | Edition size: | 25 | | Catalog #: | PP_0247 | | Description: | From an edition of 25. Signed, titled, date, copyright, edition in pencil on the reverse / Aside from the numbered edition of 5 artist's proofs and 2 printer's proofs.
"American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it."
- James Baldwin
James Baldwin -
James Arthur Baldwin (August 2, 1924 – December 1, 1987) was an African-American novelist, essayist, playwright, poet, and social critic.
Baldwin's essays, for instance "Notes of a Native Son" (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th century America, vis-à-vis their inevitable if unnameable tensions with personal identity, assumptions, uncertainties, yearning, and questing.[1] Some Baldwin essays are booklength, for instance The Fire Next Time (1963), No Name in the Street (1972), and The Devil Finds Work (1976).
His novels and plays fictionalize fundamental personal questions and dilemmas amid complex social and psychological pressures thwarting the equitable integration of not only blacks yet also of male homosexuals—depicting as well some internalized impediments to such individuals' quest for acceptance—namely in his second novel, Giovanni's Room (1956), written well before the equality of homosexuals was widely espoused in America.[2] Baldwin's best-known novel is his first, Go Tell It on the Mountain (1953).
Literary career:
In 1953, Baldwin's first novel, Go Tell It on the Mountain, a semi-autobiographical bildungsroman, was published. Baldwin's first collection of essays, Notes of a Native Son appeared two years later. Baldwin continued to experiment with literary forms throughout his career, publishing poetry and plays as well as the fiction and essays for which he was known.
Baldwin's second novel, Giovanni's Room, stirred controversy when it was first published in 1956 due to its explicit homoerotic content.[13] Baldwin was again resisting labels with the publication of this work:[14] despite the reading public's expectations that he would publish works dealing with the African American experience, Giovanni's Room is exclusively about white characters.[14] Baldwin's next two novels, Another Country and Tell Me How Long the Train's Been Gone, are sprawling, experimental works[15] dealing with black and white characters and with heterosexual, homosexual, and bisexual characters.[16] These novels struggle to contain the turbulence of the 1960s: they are saturated with a sense of violent unrest and outrage.
Baldwin's lengthy essay Down at the Cross (frequently called The Fire Next Time after the title of the book in which it was published)[17] similarly showed the seething discontent of the 1960s in novel form. The essay was originally published in two oversized issues of The New Yorker and landed Baldwin on the cover of Time magazine in 1963 while Baldwin was touring the South speaking about the restive Civil Rights movement. The essay talked about the uneasy relationship between Christianity and the burgeoning Black Muslim movement. Baldwin's next book-length essay, No Name in the Street, also discussed his own experience in the context of the later 1960s, specifically the assassinations of three of his personal friends: Medgar Evers, Malcolm X, and Martin Luther King, Jr.
Baldwin's writings of the 1970s and 1980s have been largely overlooked by critics, though even these texts are beginning to receive attention.[18] Eldridge Cleaver's vicious homophobic attack on Baldwin in Soul on Ice, and Baldwin's return to southern France contributed to the sense that he was not in touch with his readership. Always true to his own convictions rather than to the tastes of others, Baldwin continued to write what he wanted to write. His two novels written in the 1970s, If Beale Street Could Talk and Just Above My Head, placed a strong emphasis on the importance of black families, and he concluded his career by publishing a volume of poetry, Jimmy's Blues, as well as another book-length essay, The Evidence of Things Not Seen, which was an extended meditation inspired by the Atlanta Child Murders of the early 1980s.
Notes:
1. ^ Public Broadcasting Service. "James Baldwin: About the author". American Masters. 29 Nov 2006.
2. ^ Jean-François Gounardoo, Joseph J. Rodgers (1992). The Racial Problem in the Works of Richard Wright and James Baldwin. Greenwood Press. p 158 p 148-200
13. ^ Field, Douglas. Passing as a Cold War novel : anxiety and assimilation in James Baldwin's Giovanni's room. In: American Cold War culture / edited by Douglas Field. Edinburgh : Edinburgh University Press, 2005.
14. ^ a b Lawrie Balfour (2001). The Evidence of Things Not Said: James Baldwin and the Promise of American Democracy. Cornell University Press. ISBN 978-0-8014-8698-2. page 51
15. ^ Miller, D. Quentin. James Baldwin American Writers Retrospective Supplement II, ed. Jay Parini. Scribner's, 2003, 1-17
16. ^ Paul Goodman (1962-06-24). "Not Enough of a World to Grow In (review of Another Country)". The New York Times.
17. ^ Sheldon Binn (1963-01-31). "Reivew of The Fire Next Time". The New York Times.
18. ^ Altman, Elias (May 2, 2011). "Watered Whiskey: James Baldwin's Uncollected Writings". The Nation.
-http://en.wikipedia.org/wiki/James_Baldwin
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