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Psychedelia #0704_3/ 2004 - Satoshi Kinoshita
PSYCHEDELIA #0704_3/ 2004  
( Satoshi Kinoshita )

Series: Paintings: Landscape
Medium: Acrylic on non-stretched canvas
Size (inches): 38 x 33
Size (mm): 965 x 838
Catalog #: PA_043
Description: Signed, titled, date, copyright in magic ink on the reverse.



If everyone would paint, political re-education would be unnecessary.

-Pablo Picasso



LADY BRACKNELL: [Pencil and note-book in hand.] I feel bound to tell you that you are not down on my list of eligible young men, although I have the same list as the dear Duchess of Bolton has. We work together, in fact. However, I am quite ready to enter your name, should your answers be what a really affectionate mother requires. Do you smoke?

JACK: Well, yes, I must admit I smoke.

LADY BRACKNELL: I am glad to hear it. A man should always have an occupation of some kind. There are far too many idle men in London as it is. How old are you?

JACK: Twenty-nine.

LADY BRACKNELL: A very good age to be married at. I have always been of opinion that a man who desires to get married should know either everything or nothing. Which do you know?

JACK: [After some hesitation.] I know nothing, Lady Bracknell.

LADY BRACKNELL: I am pleased to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square. What is your income?

JACK: Between seven and eight thousand a year.

LADY BRACKNELL: [Makes a note in her book.] In land, or in investments?

JACK: In investments, chiefly.

LADY BRACKNELL: That is satisfactory. What between the duties expected of one during one's lifetime, and the duties exacted from one after one's death, land has ceased to be either a profit or a pleasure. It gives one position, and prevents one from keeping it up. That's all that can be said about land.

JACK: I have a country house with some land, of course, attached to it, about fifteen hundred acres, I believe; but I don't depend on that for my real income. In fact, as far as I can make out, the poachers are the only people who make anything out of it.

LADY BRACKNELL: A country house! How many bedrooms? Well, that point can be cleared up afterwards. You have a town house, I hope? A girl with a simple, unspoiled nature, like Gwendolen, could hardly be expected to reside in the country.

JACK: Well, I own a house in Belgrave Square, but it is let by the year to Lady Bloxham. Of course, I can get it back whenever I like, at six months' notice.

LADY BRACKNELL: Lady Bloxham? I don't know her.

JACK: Oh, she goes about very little. She is a lady considerably advanced in years.

LADY BRACKNELL: Ah, nowadays that is no guarantee of respectability of character. What number in Belgrave Square?

JACK: 149.

LADY BRACKNELL: [Shaking her head.] The unfashionable side. I thought there was something. However, that could easily be altered.

JACK: Do you mean the fashion, or the side?

LADY BRACKNELL: [Sternly.] Both, if necessary, I presume. What are your polities?

JACK: Well, I am afraid I really have none. I am a Liberal Unionist.

-From "The Importance of Being Earnest" (1895) by Oscar Wilde.


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Series Paintings: Landscape
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Psychedelia #0704_1/ 2004Psychedelia #0704_2/ 2004Psychedelia #0704_3/ 2004Metamorphosis #0704/ 2004Reminiscence #0704/ 2004Psychedelia #0704_4/ 2004Psychedelia #0704_5/ 2004Psychedelia #0704_6/ 2004Free Association #0704/ 2004Sleep Stages #001/ 2003-2004Reminiscence #0804_1/ 2004  Reminiscence #0804_2/ 2004
Reminiscence #0804_3/ 2004Reminiscence #0804_4/ 2004Reminiscence #0804_5/ 2004Reminiscence #0904_1/ 2004Reminiscence #0904_2/ 2004Reminiscence #1104_1/ 2004Reminiscence #1104_2/ 2004  Reminiscence #1204_1/ 2004  Intolerance of ambiguity #1204_1/ 2004Indeterminacy #1204_1/ 2004Intolerance of ambiguity #1204_2/ 2004Inner Monologue #1204/ 2004
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Intolerance of ambiguity #0205/ 2005Condensation #0205/ 2005Color and form sorting test #0205/ 2005Psychedelia-Metamorphosis #0605/ 2005Divinity #0805/ 2005Guitar Pallet #0805/ 2005After Dinner #0805/ 2005Untitled (Central Park Mist, 2003) #0903/ 2003Psychedelia-Metamorphosis #0905/ 2005Metamorphosis #1005_1/ 2005Metamorphosis #1005_2/ 2005Metamorphosis #1005_3/ 2005
Metamorphosis #1005_4/ 2005Metamorphosis #1105_1/ 2005Metamorphosis #1105_2/ 2005Guitar Pallet #1105/ 2005Anxious Object #1105/ 2005Metamorphosis #1205_1/ 2005Psychedelia-Metamorphosis #1205/ 2005Conception Synchromy #0106_1/ 2006Conception Synchromy #0106_2/ 2006Conception Synchromy #0106_3/ 2006Conception Synchromy #0206_1/ 2006
Biography of 'Satoshi Kinoshita'
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