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REMINISCENCE #0804_5/ 2004
(  Satoshi Kinoshita )
| Series: | Paintings: Landscape | | Medium: | Acrylic on stretched canvas | | Size (inches): | 11.8 x 11.8 | | Size (mm): | 300 x 300 | | Catalog #: | PA_055 | | Description: | Signed, titled, date, copyright in magic ink on the reverse.
reminiscence (rem-i-nissens):
In the psychology of learning, an improvement in recall, over that shown on the last trial, of incompletely learned
material after an interval without practice. [L. reminiscentiae, from reminiscor, to remember]
-Stedman's Online Medical Dictionary, 27th Edition.
These, sir, are a few reminiscences which my aged memory has tried to collect...
-Louis Piérard on Vincent in 1939.
(extract) Letter from Louis Piérard to n/a, Belgium, 1939:
~
I should like to satisfy you as much as possible by putting together some reminiscences of Vincent van Gogh. In fact, I knew him some forty-five years ago in the Borinage where he was an evangelist (not a pastor, as he had no theological degree). He worked at Wasmes about one year.
He was the son of a Dutch minister. I remember well his arrival at Pâturages; he was a blond young man of medium stature and with a pleasant face; he was well dressed, had excellent manners, and showed in his personal appearance all the characteristics of Dutch cleanliness.
He expressed himself in French correctly, and was able to preach quite satisfactorily at the religious gatherings of the little Protestant group in Wasmes which they had entrusted to his care. Another community in Wasmes had a pastor. He worked near the edge of the forest, in the direction of Warquignies; he led divine service in a former dance hall.
Our young man took lodgings in an old farm at Petit-Wasmes. The house was relatively pretty - it differed considerably from the dwellings in the neighborhood, where one saw only little miners' cottages.
The family which had taken Vincent in had simple habits, and lived like working people.
But our evangelist very soon showed toward his lodgings the peculiar feelings which dominated him: he considered the accommodation far too luxurious; it shocked his Christian humility, he could not bear being lodged comfortably, in a way so different from that of the miners. Therefore he left these people who had surrounded him with sympathy and went to live in a little hovel. There he was all alone; he had no furniture, and people said he slept crouched down in a corner of the hearth.
Besides this, the clothes he wore outdoors revealed the originality of his aspirations; people saw him issue forth clad in an old soldier's tunic and a shabby cap, and he went about the village in this attire. The fine suits he had arrived in never reappeared; nor did he buy any new ones. It is true he had only a modest salary, but it was sufficient to permit him to dress in accordance with his social position. Why had the boy changed this way?
Faced with the destitution he encountered on his visits, his pity had induced him to give away nearly all his clothes; his money had found its way into the hands of the poor, and one might say that he had kept nothing for himself. His religious sentiments were very ardent, and he wanted to obey the words of Jesus Christ to the letter.
He felt obliged to imitate the early Christians, to sacrifice all he could live without, and he wanted to be even more destitute than the majority of the miners to whom he preached the Gospel.
I must add that also his Dutch cleanliness was singularly abandoned; soap was banished as a wicked luxury; and when our evangelist was not wholly covered with a layer of coal dust, his face was usually dirtier than that of the miners. Exterior details did not trouble him; he was absorbed in his ideal of self-denial, but for the rest he showed that his attitude was not the consequence of laisser-aller, but a consistent practicing of the ideas governing his conscience.
He no longer felt any inducement to take care of his own well-being - his heart had been aroused by the sight of others' want.
He preferred to go to the unfortunate, the wounded, the sick, and always stayed with them a long time; he was willing to make any sacrifice to relieve their sufferings.
In addition, his profound sensitivity was not limited to the human race. Vincent van Gogh respected every creature's life, even of those most despised.
A repulsive caterpillar did not provoke his disgust; it was a living creature, and as such, deserved protection.
The family with whom he had boarded told me that every time he found a caterpillar on the ground in the garden, he carefully picked it up and took it to a tree. Apart from this trait, which perhaps will be considered insignificant or even foolish, I have retained the impression that Vincent van Gogh was actuated by a high ideal: self-forgetfulness and devotion to all other beings was the guiding principle which he accepted wholeheartedly.
It will not revile the memory of the man to confess that in my opinion he retained one weakness: he was an incorrigible smoker. At times I teased him about it; a loather of tobacco myself, I told him that he did wrong not to give it up, but he ignored me - Painters cannot do without a little spot of shade in the picture.
As far as his painting is concerned, I cannot speak as a connoisseur; besides, he was not taken seriously.
He would squat in the mine fields and draw the women picking up pieces of coal and going away laden with heavy sacks.
It was observed that he did not reproduce the pretty things to which we are wont to attribute beauty.
He made some portraits of old women, but for the rest, nobody attached any importance to an activity that was considered a mere hobby.
But it would seem that as an artist, also, our young man had a predilection for all that seemed miserable to him.
These, sir, are a few reminiscences which my aged memory has tried to collect...
Here is another letter. I did not have the heart to make any alteration in it. The good baker who wrote it and who had lived on intimate terms with Vincent van Gogh will not take it amiss if I reproduce it completely and faithfully.
Monsieur Piérard, 1
One fine spring day, when I saw our young friend Vincent van Gogh arrive, richly dressed, I could not stop looking at him, next day he paid a visit to the pastor, M. Bonte. Immediately putting himself on a level with the working class, our friend sank away into the greatest humiliations, and it was not long before he had disposed of all his clothes.
Having arrived at the stage where he had no shirt and no socks on his feet, we have seen him make shirts out of sacking. I myself was too young then.
My kind-hearted mother said to him: Monsieur Vincent, why do you deprive yourself of all your clothes like this - you who are descended from such a noble family of Dutch pastors? He answered: I am a friend of the poor like Jesus was. She answered: You're no longer in a normal condition.
The same year there was a firedamp explosion in Pit No. 1 of the Charbonnage Belge, and many miners were burned. Our friend Vincent did not give himself a moment's rest day and night cutting up the last remnants of his linen to make bandages with wax and olive oil on them, and then ran to the wounded to dress their burns.
The humanity of our friend continued to grow day by day, and yet the persecutions he suffered grew, too. And still the reproaches and insults and stoning by the members of the Consistory, though he always remained in the deepest abasement! One day when he came to our house he started vomiting on the basement floor. It had been too great a luxury for him, he ought to have stayed in a thatched hovel. His food consisted of rice and treacle, no butter on his bread.
Yet he was always at his studies; in a single night he read a volume of 100 pages; during the week he taught a school he had founded for the children teaching them to fear God, and at the same time he was busy making drawings of photography and the mines.
On a very hot day a violent thunderstorm burst over our region. What did our friend do? He went out to stand in the open field to look at the great marvels of God, and so he came back wet to the skin. So it came about that our friend was turned out of his ministry, he went away to Paris and we have not heard from him since. And when he walked [it was always] on the edge of the road, dear friend, Monsieur Piérard, I could not tell you more, I was only fourteen years at the time.
Some of his characteristics have been remembered vividly. When the miners of Wasmes went to the pits, they put old vests made of sacking over their linen work clothes, using them like pea jackets to protect themselves in the cages, from water spurting from the walls of the shafts. This miserable raggedness kindled Vincent van Gogh's pity most deeply. One day he saw the word fragile printed on the sackcloth on one miner's back. He did not laugh. On the contrary, for many days he spoke about it compassionately at mealtimes. People did not understand. This and the thunderstorm episode were enough to convince Madame Denis “that the young gentleman was not like all the others.” Her motherly heart bled for him... She wrote a letter to Van Gogh's mother, describing the miserable life Vincent led in his cabin.
An epidemic of typhoid fever had broken out in the district. Vincent had given everything, his money and his clothes, to the poor sick miners. An inspector of the Evangelization Council had come to the conclusion that the missionary's “excès de zèle” bordered on the scandalous, and he did not hide his opinion from the consistory of Wasmes. Van Gogh's father went from Nuenen [sic] to Wasmes. He found his son lying on a sack filled with straw, horribly worn out and emaciated. In the room, dimly lit by a lamp hanging from the ceiling, some miners with faces pinched with starvation and suffering crowded round Vincent. Large, fantastic shadows danced all over the walls plastered with green.
The missionary allowed himself to be led away like a child, and returned to the home of Madame Denis.
Van Gogh made many sensational conversions among the Protestants of Wasmes. People still talk of the miner whom he went to see after the accident in the Marcasse mine. The man was a habitual drinker, “an unbeliever and a blasphemer,” according to the people who told me the story. When Vincent entered his house to help and comfort him, he was received with a volley of abuse. He was called especially a mâcheux d'capelets [rosary chewer], as if he had been a Roman Catholic priest. But Van Gogh's evangelical tenderness converted the man.
People still tell how, at the time of the tirage au sort, the drawing of lots for conscription, women begged the holy man to show them a passage in the Holy Scripture which would serve as a talisman for their sons and ensure their drawing a good number and being exempted from service in the barracks!...
Traces of Van Gogh's sojourn in the Borinage are to be found in the records of the Protestant communities. One is a report of the “Eglise du Bois à Wasmes,” drawn up under the ”hauspices (sic) du synode." I have copied this report and this is how it reads:
Monsieur le pasteur Peron, of Dour, has come to Wasmes. Considering the number [of members, doubtless] and the works they could do, Messieurs Neven, Jean Andry and Peron aforenamed, all three pastors of the governing body of the Sté Synodale, agreed to send our situation (sic) to the Synodal Board in order to learn whether it can come to our aid.
After being commissioned, Mr. Peron came to Wasmes, and reaching an agreement, they thought it proper to take turns holding the service in a hall which Mr. Peron had visited together with the members of the consistory.
After a lapse of about a year and a half the Societé Synodale was good enough to send us M. Vincent; after him came M. Huton, both of them evangelists during four years or thereabouts.
We have been powerfully assisted in the work of evangelization.
And here is the 1879-80 report of the Union of Protestant Churches in Belgium, chapter “Wasmes” [twenty-third report of the Synodal Board of Evangelization (1879-80)]:
The experiment of accepting the services of a young Dutchman, Mr. Vincent van Gogh, who felt himself called to be an evangelist in the Borinage, has not produced the anticipated results. If a talent for speaking, indispensable to anyone placed at the head of a congregation, had been added to the admirable qualities he displayed in aiding the sick and wounded, to his devotion to the spirit of self-sacrifice, of which he gave many proofs by consecrating his night's rest to them, and by stripping himself of most of his clothes and linen in their behalf, Mr. Van Gogh would certainly have been an accomplished evangelist.
Undoubtedly it would be unreasonable to demand extraordinary talents. But it is evident that the absence of certain qualities may render the exercise of an evangelist's principal function wholly impossible.
Unfortunately this is the case with Mr. Van Gogh. Therefore, the probationary period - some months - having expired, it has been necessary to abandon the idea of retaining him any longer.
The evangelist, M. Hutton (sic), who is now installed, took over his charge on October 1, 1879.
1879, the tragic year: epidemics of typhoid fever, “the mad fever,” broke out, and then a great catastrophe cast a pall of grief over the country (the firedamp explosion in the Agrappe at Frameries). Without a thought for himself, Vincent devoted himself to nursing the sick and the men suffering from burns, with their faces black and swollen.
A strike broke out; the mutinous miners would no longer listen to anyone except “l'pasteur Vincent,” whom they trusted.
In the meantime Van Gogh was increasingly busy with his drawings. One day he started for Brussels on foot. He arrived at Pastor Pietersen's house in rags, his feet bleeding, but carrying with him some of his drawings (Pietersen was an amateur watercolourist). The reception was cordial and soothing. It was decided that Van Gogh would go back to the Borinage, but this time to another parish, Cuesmes.
One of my Protestant fellow citizens, M. G. Delsaut, who knew him at Cuesmes in 1880, sent me some notes which I reproduce without a word changed:
He was an intelligent young man, speaking little - always pensive. He lived very soberly: when he got up in the morning, he breakfasted off two slices of dry bread and drank a cold cup of black coffee.
Apart from his meals, he drank only water. He always had his meals alone, and took pains to avoid eating in company. While eating, he made drawings in his lap or he read. All his spare time was given to drawing. He often went to Ghlin Wood, to the cemetery of Mons, or into the country.
He drew chiefly landscapes, castles, a shepherd with his flock, cows in the meadows.
The most striking picture, which my sister-in-law, with whom he boarded, still remembers, was a drawing showing the family gathering in the crop of potatoes, some digging, others (the women) picking up the potatoes.
He left his drawings and his books behind, but now they have all disappeared because the family was scattered.
His board was paid by his father, who sent him money. He spent much money on Bibles and New Testaments, which he gave away when he went out to draw.
Once his father had to come to Cuesmes to put a stop to his spending money on books.
He would set out to draw, a campstool under his arm and his box of drawing materials on his back, like a peddler.
When he was annoyed he rubbed his hands as if he could not stop.
~
-[Reprinted from Louis Piérard, La vie tragique de Vincent van Gogh, Edition revue, Paris, Editions Correa & Cie, 1939.]
1. The original French letter is grammatically and orthographically an amusing document indeed!
2. The word “probable” (vraisemblable) indicates that this is only Louis Piérard's supposition. It has already found its way into one film script, not a little inflated by promoting Vincent to strike leader.
At this time, Vincent "was" (would have been) 86 year old.
Source: Louis Piérard. Letter to n/a. Written 1939 in Belgium. Translated by Mrs. Johanna van Gogh-Bonger, edited by Robert Harrison, published in The Complete Letters of Vincent van Gogh, Publisher: Bulfinch, 1991, number htm.
URL: http://webexhibits.org/vangogh/letter/8/etc-143a.htm.
This letter may be freely used, in accordance with the Creative Commons license).
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