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Metamorphosis #0704/ 2004 - Satoshi Kinoshita
METAMORPHOSIS #0704/ 2004  
( Satoshi Kinoshita )

Series: Paintings: Landscape
Medium: Acrylic on non-stretched canvas
Size (inches): 38 x 9.5
Size (mm): 965 x 241
Catalog #: PA_044
Description: Signed, titled, date, copyright in magic ink on the reverse.

This work is suitable for framing without stretchers.



METAMORPH'OSIS, n. Change of form or shape; transformation; particularly, a change in the form of being; as the metamorphosis of an insect from the aurelia or chrysalis state into a winged animal.

1. Any change of form or shape.

-Webster's 1828 Dictionary



The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.

-Carl G. Jung



I must study politics and war that my sons may have liberty to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain.

-John Adams, 2nd U.S. President.



I am announcing today my candidacy for the Presidency of the United States.

The Presidency is the most powerful office in the Free World. Through its leadership can come a more vital life for our people. In it are centered the hopes of the globe around us for freedom and a more secure life. For it is in the Executive Branch that the most crucial decisions of this century must be made in the next four years--how to end or alter the burdensome arms race, where Soviet gains already threaten our very existence--how to maintain freedom and order in the newly emerging nations--how to rebuild the stature of American science and education--how to prevent the collapse of our farm economy and the decay of our cities--how to achieve, without further inflation or unemployment, expanded economic growth benefiting all Americans--and how to give direction to our traditional moral purpose, awakening every American to the dangers and opportunities that confront us.

These are among the real issues of 1960. And it is on the basis of these issues that the American people must make their fateful choice for their future.

In the past 40 months, I have toured every state in the Union and I have talked to Democrats in all walks of life. My candidacy is therefore based on the conviction that I can win both the nomination and the election.

I believe that any Democratic aspirant to this important nomination should be willing to submit to the voters his views, record and competence in a series of primary contests. I am therefore now announcing my intention of filing in the New Hampshire primary and I shall announce my plans with respect to the other primaries as their filing dates approach.

I believe that the Democratic Party has a historic function to perform in the winning of the 1960 election, comparable to its role in 1932. I intend to do my utmost to see that that victory is won.

For 18 years, I have been in the service of the United States, first as a naval officer in the Pacific during World War II and for the past 14 years as a member of the Congress. In the last 20 years, I have traveled in nearly every continent and country--from Leningrad to Saigon, from Bucharest to Lima. From all of this, I have developed an image of America as fulfilling a noble and historic role as the defender of freedom in a time of maximum peril--and of the American people as confident, courageous and persevering.

It is with this image that I begin this campaign.

-Statement of Senator John F. Kennedy Announcing His Candidacy for the Presidency of the United States/ U.S. Senate Caucus Room, Washington, D.C. January 2, 1960. / www.cs.umb.edu



MRS. CHEVELEY: Questions are never indiscreet. Answers sometimes are.

SIR ROBERT CHILTERN: Well, at any rate, may I know if it is politics or pleasure?

MRS. CHEVELEY: Politics are my only pleasure. You see nowadays it is not fashionable to flirt till one is forty, or to be romantic till one is forty-five, so we poor women who are under thirty, or say we are, have nothing open to us but politics or philanthropy. And philanthropy seems to me to have become simply the refuge of people who wish to annoy their fellow-creatures. I prefer politics. I think they are more . . . becoming!

SIR ROBERT CHILTERN: A political life is a noble career!

MRS. CHEVELEY: Sometimes. And sometimes it is a clever game, Sir Robert. And sometimes it is a great nuisance.

-From "An Ideal Husband" (1895) by Oscar Wilde.


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Series Paintings: Landscape
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Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)  / 2003Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)/small / 2003Who's Afraid of Mars Black Tide & Cadmium Red Sea (After Barnett Newman)/small / 2003Depth Perception#0803/ 2003Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)/very small / 2003Cognitive map #0304/ 2004Convergence #0304/ 2004Convergence#0404/ 2004Association#0404/ 2004Space Perception#0404/ 2004Convergence#0504/ 2004Cognitive map #0504/ 2004
Constancy Phenomenon #0504/ 2004Mars Black Disk (After Adolph Gottlieb) / 2003 / work in progressCadmium Red Disk (After Adolph Gottlieb)  / 2003 / work in progressTitanium White Disk  (After Adolph Gottlieb) / 2003 / work in progressCognitive map #0803/ 2003Constancy Phenomenon #0604/ 2004Psychodiagnostik #0604/ 2004Convergence#0604/ 2004September Rain #0903/ 2003September Mist #0903/ 2003Inner Impulse #0604/ 2004Inner Tranquility #0704/ 2004
Psychedelia #0704_1/ 2004Psychedelia #0704_2/ 2004Psychedelia #0704_3/ 2004Metamorphosis #0704/ 2004Reminiscence #0704/ 2004Psychedelia #0704_4/ 2004Psychedelia #0704_5/ 2004Psychedelia #0704_6/ 2004Free Association #0704/ 2004Sleep Stages #001/ 2003-2004Reminiscence #0804_1/ 2004  Reminiscence #0804_2/ 2004
Reminiscence #0804_3/ 2004Reminiscence #0804_4/ 2004Reminiscence #0804_5/ 2004Reminiscence #0904_1/ 2004Reminiscence #0904_2/ 2004Reminiscence #1104_1/ 2004Reminiscence #1104_2/ 2004  Reminiscence #1204_1/ 2004  Intolerance of ambiguity #1204_1/ 2004Indeterminacy #1204_1/ 2004Intolerance of ambiguity #1204_2/ 2004Inner Monologue #1204/ 2004
Indeterminacy #1204_2/ 2004Ascension (The shroud of Turin) #1204/ 2004Reminiscence #1204_2/ 2004  Indeterminacy #1204_3/ 2004Interpretation of Dreams #1204/ 2004Indeterminacy #1204_4/ 2004  Color and form sorting test #1204/ 2004Deautomatization #0105/ 2005Annunciation #0105/ 2005Visitation #0105/ 2005Intolerance of ambiguity #0105/ 2005Reminiscence #0205/ 2005
Intolerance of ambiguity #0205/ 2005Condensation #0205/ 2005Color and form sorting test #0205/ 2005Psychedelia-Metamorphosis #0605/ 2005Divinity #0805/ 2005Guitar Pallet #0805/ 2005After Dinner #0805/ 2005Untitled (Central Park Mist, 2003) #0903/ 2003Psychedelia-Metamorphosis #0905/ 2005Metamorphosis #1005_1/ 2005Metamorphosis #1005_2/ 2005Metamorphosis #1005_3/ 2005
Metamorphosis #1005_4/ 2005Metamorphosis #1105_1/ 2005Metamorphosis #1105_2/ 2005Guitar Pallet #1105/ 2005Anxious Object #1105/ 2005Metamorphosis #1205_1/ 2005Psychedelia-Metamorphosis #1205/ 2005Conception Synchromy #0106_1/ 2006Conception Synchromy #0106_2/ 2006Conception Synchromy #0106_3/ 2006Conception Synchromy #0206_1/ 2006
Biography of 'Satoshi Kinoshita'
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