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Free Association #0704/ 2004 - Satoshi Kinoshita
FREE ASSOCIATION #0704/ 2004  
( Satoshi Kinoshita )

Series: Paintings: Landscape
Medium: Acrylic on non-stretched canvas
Size (inches): 84 x 55
Size (mm): 2134 x 1397
Catalog #: PA_049
Description: Signed, titled, date, copyright in magic ink on the reverse.



The more the fruits of knowledge become accessible to men, the more widespread is the decline of religious belief.

-Sigmund Freud, The Future of an Illusion (1927).



free association:

Spontaneous verbalization of whatever comes to mind.

-The On-line Medical Dictionary.



free association:   

a psychoanalytical method in which the patient is encouraged to describe the association of thoughts and emotions as they arise spontaneously during the analysis.

-Dorland's Illustrated Medical Dictionary.



free association:

an investigative psychoanalytic technique in which the patient verbalizes, without reservation or censor, the passing contents of his or her mind; the verbalized conflicts that emerge constitute resistances that are the basis of the psychoanalyst's interpretations.

-Stedman's Online Medical Dictionary, 27th Edition.



Free association (psychology):

Free association is a technique used in psychology, devised by Sigmund Freud.

Freud had abandoned hypnosis as a clinical technique, both because of its fallibility and because he found that patients could recover and comprehend crucial memories while conscious. Using the technique of free association, Freud asked patients to relate anything which came into their mind, regardless of how apparently unimportant or potentially embarrassing the memory threatened to be. This technique assumed that all memories are arranged in a single asociative network, and that sooner or later the subject would stumble across the crucial memory.

Unfortunately, Freud found that despite a subject's every effort to remember, a certain resistance kept him from the most painful and important memories. He eventually came to the view that certain items were completely repressed, and off-limits to the conscious realm of the mind.

Freud's eventual practice of psychoanalysis focused not so much on the recall of these memories as on the internal mental conflicts which kept them buried deep within the mind, though the technique of free association still plays a role today in the study of the mind.

-Wikipedia, the free encyclopedia.


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Series Paintings: Landscape
Dream of Joan M. Ferra/ 2004New Title/ 2003/ work in progressNew Title/ 2003/ work in progressDream of A Green Turtle / 2003Dream of A White Frog / 2003Cognitive Map #0504 (1203)/ 2004Maze - Colored / 2003Mosquitoes On Pond / 2002One World - Yellow  &  Red/ 2003Spiral Staircase /2002Stripes #001/ 2002Horopter#1203/ 2003
Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)  / 2003Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)/small / 2003Who's Afraid of Mars Black Tide & Cadmium Red Sea (After Barnett Newman)/small / 2003Depth Perception#0803/ 2003Who's Afraid of Cadmium Red Tide & Mars Black Sea (After Barnett Newman)/very small / 2003Cognitive map #0304/ 2004Convergence #0304/ 2004Convergence#0404/ 2004Association#0404/ 2004Space Perception#0404/ 2004Convergence#0504/ 2004Cognitive map #0504/ 2004
Constancy Phenomenon #0504/ 2004Mars Black Disk (After Adolph Gottlieb) / 2003 / work in progressCadmium Red Disk (After Adolph Gottlieb)  / 2003 / work in progressTitanium White Disk  (After Adolph Gottlieb) / 2003 / work in progressCognitive map #0803/ 2003Constancy Phenomenon #0604/ 2004Psychodiagnostik #0604/ 2004Convergence#0604/ 2004September Rain #0903/ 2003September Mist #0903/ 2003Inner Impulse #0604/ 2004Inner Tranquility #0704/ 2004
Psychedelia #0704_1/ 2004Psychedelia #0704_2/ 2004Psychedelia #0704_3/ 2004Metamorphosis #0704/ 2004Reminiscence #0704/ 2004Psychedelia #0704_4/ 2004Psychedelia #0704_5/ 2004Psychedelia #0704_6/ 2004Free Association #0704/ 2004Sleep Stages #001/ 2003-2004Reminiscence #0804_1/ 2004  Reminiscence #0804_2/ 2004
Reminiscence #0804_3/ 2004Reminiscence #0804_4/ 2004Reminiscence #0804_5/ 2004Reminiscence #0904_1/ 2004Reminiscence #0904_2/ 2004Reminiscence #1104_1/ 2004Reminiscence #1104_2/ 2004  Reminiscence #1204_1/ 2004  Intolerance of ambiguity #1204_1/ 2004Indeterminacy #1204_1/ 2004Intolerance of ambiguity #1204_2/ 2004Inner Monologue #1204/ 2004
Indeterminacy #1204_2/ 2004Ascension (The shroud of Turin) #1204/ 2004Reminiscence #1204_2/ 2004  Indeterminacy #1204_3/ 2004Interpretation of Dreams #1204/ 2004Indeterminacy #1204_4/ 2004  Color and form sorting test #1204/ 2004Deautomatization #0105/ 2005Annunciation #0105/ 2005Visitation #0105/ 2005Intolerance of ambiguity #0105/ 2005Reminiscence #0205/ 2005
Intolerance of ambiguity #0205/ 2005Condensation #0205/ 2005Color and form sorting test #0205/ 2005Psychedelia-Metamorphosis #0605/ 2005Divinity #0805/ 2005Guitar Pallet #0805/ 2005After Dinner #0805/ 2005Untitled (Central Park Mist, 2003) #0903/ 2003Psychedelia-Metamorphosis #0905/ 2005Metamorphosis #1005_1/ 2005Metamorphosis #1005_2/ 2005Metamorphosis #1005_3/ 2005
Metamorphosis #1005_4/ 2005Metamorphosis #1105_1/ 2005Metamorphosis #1105_2/ 2005Guitar Pallet #1105/ 2005Anxious Object #1105/ 2005Metamorphosis #1205_1/ 2005Psychedelia-Metamorphosis #1205/ 2005Conception Synchromy #0106_1/ 2006Conception Synchromy #0106_2/ 2006Conception Synchromy #0106_3/ 2006Conception Synchromy #0206_1/ 2006
Biography of 'Satoshi Kinoshita'
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